Archived Inventory
These pieces from our collection have sold. If you are searching for a particular piece, feel free to contact us for more information, or to be notified if another becomes available.
To view our current Collection, click here >
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below. Alternatively, we have Eames Soft Pad Chairs available in Butterscotch Leather, and Management Chairs in Espresso Leather.
The great portfolio of Charles & Ray Eames is widely celebrated and serves as a model of inspiration for designers to this day. One of their most recognizable designs is the Aluminum Group line for Herman Miller from which these Soft Pad Executive Chairs were born. It is said that the Soft Pad variation was a design accident - cushions from the Eames Chaise found themselves draped over an Aluminum Group chair, and the rest is history. Whatever the story may be, the comfort of Charles & Ray’s Soft Pad seating perhaps rivals that of their famed Eames Lounge Chair.
The Soft Pad collection consists of a Lounge Chair, a Low Back Management Chair, and this High Back Executive Chair. The design language is similar to the Eames Aluminum Group suite which sports a single “sling” of material which is tethered to two cast aluminum side rails and in this case, four plush cushions for optimal comfort. These chairs are equipped with a tilt mechanism with tension control as well as manual height adjustment.
We have a large quantity of these Eames Soft Pad Executive Chairs all in their original Maharam Wool Flannel upholstery in the color Charcoal. These chairs are in very good condition and show minor wear and rich patina consistent with age and history. The soft Maharam wool is a great fit for one’s home office yet durable enough to withstand high traffic use in an office environment.
Inquire
Creator
Charles & Ray Eames for Herman Miller, 1969
Materials
Maharam Wool Flannel in Charcoal & Polished Aluminum
Dimensions
23"W x 15.5"D x 41.75"H | 20.25" – 22.25"SH
Condition
Very Good. Minor wear consistent with age and history
Shipping
Domestic & International Delivery Available (request a quote)
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
This John Hutton for Donghia mirror is a monumental celebration of classical design. Its scale is best experienced in person.
Our team has completely refinished the solid wood frame in a natural limed finish. This new surface pairs beautifully with the architectural form, together evoking a strong sense of timeless elegance.
This piece has the presence to anchor a room and remains delightful to experience from every angle, even while reflecting one’s own presence.
Tearsheet / Inquire Below
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
Scandinavian Modernism represents a body of work that has had a tremendous impact on the furniture industry. Danish, Swedish, and Norwegian designers and manufacturers placed great importance on material, form, and simplicity. One of Norway’s great exporters, Westnofa (West Norway Factories), shared Scandinavian design with the world.
We love Brazilian Rosewood for both its rarity and its striking appearance. We aim to collect as many examples of modern design featuring rosewood as possible, with the goal of preserving these pieces and passing them on to clients who will cherish them for at least another lifetime. This impressive eight-drawer design by Westnofa exhibits beautifully figured rosewood grain from every angle.
This piece can be used as a dresser, as originally intended, or as a sideboard or credenza. Its generous length offers ample storage and surface space. This dresser is part of a Westnofa rosewood suite that also includes a pair of nightstands, a tall gentleman’s chest, and a queen headboard.
Inquire Below
This piece has been sold, however we have a 60” Round Laminate Table currently in-stock. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
Eero Saarinen’s Pedestal Collection remains one of the most iconic achievements in modern furniture design. Often called the “Tulip,” Saarinen created the collection to eliminate the visual clutter of traditional table and chair legs that dominated the 1950s. His elegant solution was a single sculptural pedestal, a smooth, central stem that meets the floor with unprecedented grace. This revolutionary form quickly became a design classic and expanded into a family of chairs, accent tables, and, as featured here, dining tables.
This 54” Round Pedestal Table combines generous proportions with a streamlined silhouette, comfortably seating six while maintaining an airy, timeless presence. The sleek white laminate top offers durability for everyday use and wipes clean with ease. Its sturdy aluminum base, finished in Knoll’s signature gloss white, provides an elegant complement to the tabletop. This original table shows only minor wear consistent with age and history, and pairs perfectly with Eero Saarinen’s famed design; the Saarinen Executive Chair.
Inquire
Creator
Eero Saarinen for Knoll, 1957
Materials
Painted Aluminum & White Laminate
Dimensions
54" Diameter x 28"H
Condition
Very Good. Minor wear consistent with age and history
Lead Time
Ready to Ship
Shipping
Domestic & International Delivery Available (request a quote)
The enduring appeal of Scandinavian design continues to resonate, with both vintage and contemporary pieces captivating collectors worldwide. This teak nut bowl and spoon by Sowe Konst of Sovestad, Sweden exemplifies that sensibility. Known for their finely turned wooden vessels, the workshop achieved a level of craftsmanship so refined that the seam-line on this spherical form is nearly invisible.
Though originally conceived for serving nuts, the design’s versatility lends itself equally well to use as a salt or spice cellar. The survival of both bowl and spoon together makes this pairing especially rare and desirable.
Our team has carefully restored the set to the standards upheld across our collection. Each piece was gently stripped of surface wear and finished with a food-safe mineral oil, reviving the teak’s warm glow while preserving its intended utility.
Inquire
Creator
Sowe Konst Sweden, c. 1960
Materials
Turned Teak
Dimensions
6”Diameter x 5.5”H
Condition
Very Good. New restoration by Object Refinery.
Shipping
Domestic & International Delivery Available (request a quote)
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
The Mid-Century Modern design movement is known for many firsts brought to us by a wave of influential designers. Their work sought out to simplify the cluttered aesthetic they inherited from previous generations by utilizing cutting edge materials and production on a mass scale. Within this group of talent is an icon who approached the field as an artist-sculptor, Paul Evans’ contributions to Mid-Century Modern design are immediately recognizable, with great reason.
Evans was sculptor, silversmith, and craftsman. His understanding of materials was a momentous influence throughout his career, which we now know to be both vast and incredibly diverse. His work for Directional Furniture is perhaps what propelled Evans to design stardom. His work for Directional began in the 1950’s with a select number of pieces. After much success with the company, as well as an exhibition at the Museum of American Crafts in 1961, Evans became the Directional furniture designer where he would develop notable lines such as his Cityscape Series.
The shown PE-11 Angle Zig-Zag motif cocktail table is from his Sculptured Metal collection. An assemblage of steel and bronze with artful welds and gorgeous oxidation and patina elevates this collection from design to art. The original piece of 3/4” thick glass is intact with no chips whatsoever. Each of the levelers have also been retained allowing for this piece to be installed with ease. This PE-11 Cocktail Table is an excellent example of preserved Paul Evans design, his sculptor’s approach to design is a breath of fresh air in today’s world of furniture.
Inquire
Creator
Paul Evans for Directional, 1966
Materials
Oxidized Steel & Bronze
Dimensions
60”W x 24”D x 16”H
Condition
Excellent.Minor wear consistent with age and history
Shipping
Domestic & International Delivery Available (request a quote)
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
When grand movements of style and design are referenced in contemporary work, it requires close attention to detail to evoke a true sense of authenticity and respect for the eras that inspired them. Master craftspeople are those who skillfully draw connections to historical design motifs and reinterpret them with relevance and restraint. While few ateliers possess this level of discipline and vision, the renowned Therien Studio Workshops is one whose work consistently honors timeless design traditions.
This monumental cabinet, produced by Therien for Fournir Collections, is a masterclass in architecturally inspired design. Its presence in a room is quietly commanding, and upon closer inspection, its refined details reveal a captivating complexity.
Though unmistakably inspired by the Art Deco movement, the cabinet employs its influences with subtlety and sophistication. Most notably, its central panel features a sculptural geometric relief finished in a rich champagne-toned paint. As light moves across the surface, each angular face shifts between highlight and shadow, creating a mesmerizing interplay of depth and tone. Surrounding this panel, a field of bookmatched burlwood showcases exceptional veneer work, with undulating cuts and carefully considered rotations that evoke the effect of marquetry and imbue the surface with quiet dynamism.
The expressive materiality is elegantly grounded by bold walnut borders that frame the cabinet’s form like architectural columns. These dark frames emphasize the verticality of the piece, offering structure and balance to its otherwise monumental scale. The base, composed of intersecting walnut stretchers, nods to Asian furniture traditions and adds a sense of visual lightness and lift.
Inside, the cabinet reveals a system originally designed for entertainment; a pullout swiveling stand perfect for a bar and a top shelf for wireless speakers or added storage. The generously sized double doors can be discreetly slid into the body of the piece on concealed tracks. Its versatility invites endless uses; as an elegant bar, a refined media cabinet, or a display for collected objects. Impeccably crafted and timeless in its palette and proportions, this piece offers years of enduring function and visual intrigue. This monumental cabinet shows some wear consistent with age and use as seen in our photos, yet it very much retains its original structural integrity — a subtle testament to its enduring quality and authenticity.
Inquire
Period
Therien Studio Workshop for Fournir Collections, c. 2000
Materials
Walnut, Karelian Birch, Champagne Gold Paint
Dimensions
48"W x 26"D x 90"H
Condition
Good. Wear and minor losses consistent with age and history
Lead Time
Ready to Ship
Shipping
Domestic & International Delivery Available (request a quote)
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
We’ve always been drawn to the elegant proportions of both Art Deco and Mid-Century Modern design. Though stylistically distinct, these movements share a sense of refinement that resonates beautifully in this Petite Settee. Designed in the early 1950s, it embodies a seamless blend of both influences—its graceful silhouette reminiscent of the work of Thonet and Alvar Aalto, with slender bentwood arms and just the right amount of upholstery to maintain its sophisticated presence.
Our team undertook an extensive restoration, carefully bringing the piece down to its frame. The bentwood arms were meticulously refinished, revealing a warm, honeyed grain that enhances the wood’s natural character. We replaced all interior padding and support, sculpting each element to honor the original curves of the design.
For the upholstery, we selected a luxurious Ivory Wool from the renowned Holland & Sherry, featuring a delicate herringbone weave that subtly enhances the settee’s contours. To define its form further, we finished the edges with a Sepia Linen piping trim, a refined contrast that complements the richness of the wood arms.
Perfect for a nook, home office, or foyer, this Petite Settee offers both comfort and style—gracefully welcoming guests with open arms.
Inquire
Period
Mid-Century Modern Design, c. 1950
Materials
Holland & Sherry Wool, Linen Piping, & Oak
Dimensions
39"W x 27"D x 32"H | 18"SH
Condition
Excellent. New restoration by Object Refinery
Lead Time
Ready to Ship
Shipping
Domestic & International Delivery Available (request a quote)
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
Scandinavian Modernism represents a body of work that has had a tremendous impact on the furniture industry. Danish, Swedish, and Norwegian designers and manufacturers placed great importance on material, form, and simplicity. One of Norway’s great exporters, Westnofa (West Norway Factories), shared Scandinavian design with the world.
We love rosewood for both its rarity and its striking appearance. We aim to collect as many examples of modern design featuring rosewood as possible, with the goal of preserving these pieces and passing them on to clients who will cherish them for at least another lifetime. This pair of petite nightstands by Westnofa exhibits beautifully figured rosewood grain from every angle.
These pieces can be used as nightstands, as originally intended, or as end tables in a variety of settings. Their compact scale offers both practical surface area and functional storage with dovetailed drawers and open areas underneath. This pair of nightstands is part of a Westnofa rosewood suite that also includes an eight-drawer dresser, a tall gentleman’s chest, and a queen headboard.
Inquire Below
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
The work of American of Martinsville, particularly pieces designed by Merton Gershun, has long appealed to us. Gershun’s restrained design language and refined proportions resulted in furniture that feels both understated and enduring.
This uncommon sideboard is among the rarer American of Martinsville pieces we have encountered. Its distinctive hardware immediately drew us in: recessed brass bail pulls sit flush within each drawer front when not in use, while a series of overlapping rings lends an unexpected decorative detail to the base. To celebrate these thoughtful design elements, each piece of hardware has been carefully restored in a light gold finish.
Crafted in ash veneer, the cabinet has been completely refinished in a rich dark cognac brown that beautifully accentuates the wood’s striking grain while providing a warm contrast to the restored hardware.
Inquire Below
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
Florence Knoll's transformative influence on Mid-Century design is reflected in every piece of furniture that bears her name, including this elegant dining table. As a pioneer in interior design, Knoll founded the renowned "Planning Unit," serving illustrious clients like IBM and CBS while reshaping the modern American home and workspace.
Knoll’s commitment to functionality and aesthetics often led her to design furniture for spaces that lacked suitable options, resulting in the creation of her now-iconic furniture collection. From sofas and lounge chairs to tables, each piece embodies her timeless vision of modernism and continues to grace homes and offices with understated elegance.
This visually weightless table was originally marketed as both a desk and a dining table. The oval top, crafted from exquisite Gray marble, features crisp white veins and a refined bullnosed edge inspired by Eero Saarinen’s iconic Tulip Pedestal Tables. The base, however, is distinctly Florence Knoll—an ingenious design of four solid cast steel splayed legs converging into a single central column. This masterfully balanced structure achieves a remarkable sense of weightlessness, despite its substantial materials.
This vintage iteration, circa 1980, remains in excellent original condition, showcasing only minor wear consistent with its age and history. It is a testament to Florence Knoll’s ability to combine monumental craftsmanship with an enduring sense of modern sophistication, making it an ideal centerpiece for any discerning collector or design enthusiast.
Inquire
Creator
Florence Knoll for Knoll, 1961
Materials
Polished Gray Marble & Polished Steel
Dimensions
78”W x 48”D x 27.5”H
Condition
Very Good. Wear consistent with age and history
Shipping
Domestic & International Delivery Available (request a quote)
At a Glance
This desk by Charak Modern showcases many Tommi Parzinger hallmarks including bold inlay, leather wrapped accents, and jewelry-like cast brass hardware.
Our team restored every element inside and out with high-gloss lacquer, refreshed leather, and a fully revitalized interior for its cabinets and drawers.
Most likely a custom-order one of one piece, it was a true pleasure to restore and an exquisite addition to our collection.
Inquire Below
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
With the goal of creating pieces of high-design that differed from contemporaries such as Knoll and Herman Miller, Irving & Leon Rosen founded the Pace Collection in 1960. They looked to the simplicity of materials to be the voice of their collection, all expertly fabricated and finished. Polished metals and high gloss exotic veneers were commonplace and to this day remain unapologetically Pace.
A prime example from the Pace Collection, and one which is rarely seen, is this exquisitely executed Accent Table. The design is almost magical as the glass appears to simply float, only secured by one brass column of support. The piece comes together with just one threaded fastener under the solid brass disc which sits atop the glass. The assemblage of glistening bulldozed edge glass, polished brass, and simple wedge geometry create a piece of home décor akin to fine jewelry.
This table retains its original glass, while some minor wear exists, it is in very good condition with no chips whatsoever. The brass base shows signs of rich patina which adds to the piece’s seasoned appearance. This table can be used in a multitude of settings: a drink table, cigar table, between two club chairs, or accompanying a lounge - the options are limitless.
Inquire
Creator
Leon Rosen for Pace Collection, c. 1970
Materials
Polished Brass & Glass
Dimensions
13.5"W x 18"D x 20.5"H
Condition
Very Good.Minor wear consistent with age and history
Shipping
Domestic & International Delivery Available (request a quote)
This phenomenal petite vanity is very much in the style of Gio Ponti, as his delicate and diminutive aesthetic is ever present throughout the piece. A small label, written in Italian on the underside, offers evidence of its origin.
The exquisite rosewood is the highlight of an otherwise simple and highly practical work of functional design. Solid brass adorns the piece, accenting the rosewood with jewelry-like corner wraps, pulls, and sabots.
We discovered that the interior storage space was once illuminated, and as such, we worked to restore that feature. The new lighting is set behind glass within the storage compartment, and the entire piece has been refinished.
Inquire Below
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
At a Glance
We’ve always been drawn to Jens Risom’s work. His aesthetic forms a harmonious bridge between Danish and American design, a balance he mastered effortlessly.
This Risom “Model 108” chair has enough presence to stand confidently on its own within a space. It delights from every angle, framed by the beautifully angled and contoured woodwork for which Risom is known.
After refinishing the walnut frame, we found ourselves inspired by its color and grain. For contrast, we selected a cashmere-like alpaca fabric for the upholstery.
Inquire Below
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
In the world of Mid-Century Modern design, especially in the high-end market, the name John Stuart stands out. The elegant yet elusive "John Stuart Inc." label is often found on pieces of exceptional design. In some cases, this label appears alongside the "Johnson Furniture Co." mark, both companies proudly based in the furniture capital of the time, Grand Rapids. John Stuart, a pioneer in his field, built a brand known for distributing only the finest furniture and home décor. His line included Danish imports under the John Stuart brand and close collaborations with Johnson Furniture Co., which featured designs by the renowned Paul Frankl. These nightstands are a perfect example of this partnership: curated by John Stuart, crafted by Johnson Furniture Co., and, based on our research, confidently attributed to Paul Frankl himself.
These 3-drawer nightstands exemplify exceptional design. A close look reveals that every detail has been thoughtfully executed, characteristic of Paul Frankl's work. The choice of materials alone speaks to their superior quality: walnut exteriors, oak and mahogany dovetailed drawers, and brass inlays and pulls. Reproducing such craftsmanship today would be a daunting task, which inspired us to restore them to their fullest potential.
Each nightstand has been meticulously refinished, both inside and out, restoring them to a near-new condition. The walnut exteriors have been stained in a timeless ebony, allowing the warmth of the wood to subtly shine through. The brass inlays framing the drawers and defining the base have been polished to a brilliant sheen, creating a striking contrast with the ebony finish. The proportions are masterfully balanced, with details like the gradual increase in drawer size and the way the drawers appear to float above their base, showcasing the artistry behind their design.
Inquire
Creator
John Stuart Inc, c. 1950 (design attributed to Paul Frankl)
Materials
Walnut, Mahogany, Oak, & Brass
Dimensions
24"W x 18"D x 24"H
Condition
Excellent. New restoration by Object Refinery
Lead Time
Ready to Ship
Shipping
Domestic & International Delivery Available (request a quote)
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
With the goal of creating pieces of high-design that differed from contemporaries such as Knoll and Herman Miller, Irving & Leon Rosen founded the Pace Collection in 1960. They looked to the simplicity of materials to be the voice of their collection, all expertly fabricated and finished. Polished metals and high gloss exotic veneers were commonplace and to this day remain unapologetically Pace.
This petite cocktail table is in the style of Pace Collection, it exemplifies the best of Leon Rosen’s aesthetic. The materiality is simple; gorgeous marble and polished chrome - the two come effortlessly come together in a way only Pace could have imagined. The round marble feels expansive atop three polished chrome columns. The assembly of this piece is completely hidden within each chrome cap, finishing off the design’s simplicity.
This table remains in its original condition with considerably minor wear. No chips can be found in the marble or chrome, minor abrasions exist throughout, consistent with age and history.
Inquire
Creator
In the Style of Leon Rosen for Pace Collection, c. 1970
Materials
Marble & Polished Chrome
Dimensions
29.5”Diameter x 14”H
Condition
Very Good.Minor wear consistent with age and history
Lead Time
Ready to Ship
Shipping
Domestic & International Delivery Available (request a quote)
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
At a Glance
We’ve always felt a strong affinity for Alberto Giacometti’s signature style, abstracted human forms cast in deep bronze that draw the viewer in for closer inspection.
Porta Romana, a renowned maker of objects of the highest quality, has expertly captured the essence of Giacometti in this pair of lamps.
The pair features the human form of both a man and a woman, each firmly meeting the table’s surface with a generous base, stamped with the maker’s mark at the rear. The original shallow elliptical lampshades are included.
Inquire Below
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
Brian Kane's Swoop Collection for Herman Miller embodies a modern interpretation of midcentury style, particularly showcased through the Swoop Plywood Lounge Chair. Kane meticulously studied the interaction between people and public seating, noting how users contort themselves into often uncomfortable and nonfunctional furniture. His aim was to create a collection that genuinely accommodated the natural human form and its spontaneous behaviors.
The Swoop Plywood Lounge Chair is a tribute to Herman Miller’s esteemed legacy, deeply influenced by the groundbreaking work of Charles and Ray Eames. Renowned for their pioneering use of molded plywood, the Eameses delivered furniture designs that have become timeless icons. Kane has adeptly modernized this motif, incorporating elegant upholstered "Swoops" that embrace the body in any chosen posture. This chair is designed to accommodate various sitting positions—whether upright, angled, or reclined—ensuring comfort and support in every scenario.
Our team has reupholstered these chairs in a warm camel-toned suiting wool, creating a sophisticated contrast against the elegant grain of ash wood and sleek chrome accents. The muted palette allows them to seamlessly integrate into a variety of spaces while their sculptural form adds a striking visual element. Brian Kane’s Swoop Plywood Lounge Chair is meant to be admired from every angle, and this refreshed aesthetic ensures its timeless appeal for years to come.
Inquire
Period
Brian Kane for Herman Miller, 2010
Materials
Suiting Wool in Camel, Ash, & Chromed Steel
Dimensions
33"W x 32"D x 30.5" | 16.5"SH
Condition
Very Good. New upholstery. Minor wear consistent with age and history.
Shipping
Domestic & International Delivery Available (request a quote)
Established in New York, Crouch & Fitzgerald is renowned for its premium luggage and travel accessories. The company, founded in 1839, is synonymous with luxury and durability, appealing to a discerning clientele who appreciate superior craftsmanship and thoughtful design. Throughout its history, Crouch & Fitzgerald has earned acclaim for a range of products, from classic steamer trunks and suitcases to modern travel essentials, including a notable file briefcase.
This exceptional briefcase is crafted to securely accommodate documents and technological devices alike. Its robust exterior is encased in natural-tone leather, complemented by matching stitching. A prominent brass lock, adorned with the company's emblem, secures the closure strap. A discreetly integrated hinge, also enveloped in leather, allows the briefcase to remain open. Inside, it offers three spacious compartments and a leather flap that can be fixed down to stabilize the base when open.
A quintessential example of Crouch & Fitzgerald's timeless design, this briefcase is in pristine condition and comes with its original branded packaging. It represents an ideal choice for those leading a dynamic lifestyle, ensuring that essential items are always conveniently at hand.
Inquire
Creator
Crouch & Fitzgerald, c. 2000
Materials
Leather & Brass
Dimensions
18”W x 6”D x 14”H
Condition
Excellent. Minor wear consistent with age and history
Shipping
Domestic & International Delivery Available (request a quote)
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
At a Glance
We were drawn to this table for its powerful yet elegant stance, with pointed legs and a cross-stretcher base that is delightful from every angle.
Our team evolved the design with a gloss Green lacquer infused with subtle metallic flecks, complemented by brass hardware and a gold finished cross stretcher.
We added an upholstered inset top in smooth Italian leather, enhancing its function from an accent table to a potential game table or writing table.
Inquire Below
We constantly find ourselves drawn to pieces from the Pace Collection. When we come across a piece that’s new to us, we’re eager to add it to our collection. Such is the case with this fantastic floating credenza.
Exotic woods and high-gloss finishes, paired with unparalleled build quality, are cornerstones of what defines a Pace Collection piece. This credenza, while just 6 feet in length, feels monumental.
Beautiful burlwood is bookmatched across each door face as well as the top, forming a geometric sunburst motif. The high-gloss finish enhances the richness of the burlwood, making this piece a pleasure to view from any angle.
With the included French cleat, this piece is designed to be wall-mounted. Its uses are versatile, as a low media cabinet or mounted higher as a sideboard or foyer console.
Inquire Below
These chairs have sold, however we have another Otto Zapf Executive Chair available.
At a Glance
While modular design is commonplace today, it was still somewhat novel during the time of Otto Zapf, the designer of this now-discontinued Knoll Zapf Executive Chair.
Each cushion in Zapf’s design was intended to be swappable and interchangeable. The user can simply lift off every upholstered cushion, shown here in its beautiful original saddle brown leather, for cleaning or in the event of damage. Beneath lies an ingenious frame onto which the cushions attach securely.
This chair is the last from a collection we acquired from its original owner. Our team has meticulously polished every element, revealing a rich patina, as expected with high-grade materials such as genuine leather and steel.
Inquire
The world of lighting design has evolved far beyond simple utility, entering a realm where form meets art and sculpture. Few names embody this movement better than Koch & Lowy, whose Mid-Century Modern designs continue to influence contemporary aesthetics. This Modernist Task Lamp is a striking example of their forward-thinking, timeless work.
A modernist interpretation of the classic Mid-Century mushroom form, the lamp features a semi-polished aluminum finish that is softer and more refined than a full polish. Hidden within its UFO-like shade is a circular fluorescent bulb, thoughtfully updated with a new warm-white replacement for today’s use.
Composed of just three seamlessly integrated elements—the shade, finial cap, and solid metal base—this minimalist lamp achieves elegance through simplicity. Its understated design allows it to complement a wide range of interiors, a hallmark of Koch & Lowy’s enduring appeal.
Inquire
Creator
Koch & Lowy, c. 1970
Materials
Polished Aluminum
Dimensions
13" Diameter x 15"H
Condition
Very Good. Minor wear consistent with age and history.
Lead Time
Ready to Ship
Shipping
Domestic & International Delivery Available (request a quote)
The design world thrives on both competition and collaboration, each playing a role in shaping notable work and driving aesthetic evolution. In 1897, two successful companies and fierce rivals, Heywood Brothers and Wakefield Company, merged to form the renowned Heywood-Wakefield. Today, the brand is celebrated for its extensive portfolio of highly sought-after furniture. Like any forward-thinking company, its designs evolved through numerous stylistic shifts over time. In the late 1940s and early 1950s, Heywood-Wakefield explored forms influenced by French Art Deco. Pieces from this period are rarely encountered, including this pair of sculptural M340C armchairs, which have been fully restored in our workroom.
The Object Refinery team stripped these chairs down to their frames to carry out a comprehensive restoration. A whitewash finish was applied to the birchwood, creating a relaxed and understated look. The light wood frames pair beautifully with the natural lambswool used on the upholstered seat and back. This thick pile material is exceptionally soft to the touch. The combination of a sculptural wood frame and plush shearling cushions creates a striking sense of balance and visual appeal from every angle.
These chairs have undergone a full restoration in the Object Refinery workroom. As vintage pieces, they show minor wear consistent with age and history. Each frame was refinished by hand, and along with new lambswool upholstery, both chairs feature new foam padding. The result is a thoughtfully updated pair that has been carefully preserved for years to come.
Inquire
Period
Heywood-Wakefield, c. 1950
Materials
White-Wash Finished Birch & Natural Lambswool
Dimensions
26.5"W x 26"D x 32"H | 17"SH
Condition
Excellent. Minor wear consistent with age and history
Lead Time
Ready to Ship
Shipping
Domestic & International Delivery Available (request a quote)
Pepe Cortés’ intention for his Jamaica Stools was ease of placement in a range of environments. Commercial grade durability paired with essential comfort for the home are both found in his timeless design which without question has become an icon within its category.
The polished aluminum frames are as forgiving as they are durable, the design nuance of a slightly matted seat allows for fingerprints to be non-existent. The stools are equipped with 360° swivel which remains effortlessly smooth. For structural integrity and added comfort, each stool’s base is finished with a seamless ring foot rest.
Object Refinery has thoroughly gone over each vintage stool to bring them to their best possible condition. They are in good vintage condition showing wear consistent with age and history.
Inquire
Creator
Pepe Cortés Manufactured by Amat-3 for Knoll, 1991
Materials
Polished Aluminum
Dimensions
17.5"W × 17.5"D × 32"H | 30”SH
Condition
Good. Wear consistent with age and history.
Shipping
Domestic & International Delivery Available (request a quote)
At a Glance
We acquired this table along with a suite of custom Knoll pieces from the 1980s and attribute the design to a lesser-known line by Charles Pfister.
In a word, this piece is monumental. It offers a generous setting for six to eight guests with room to spare.
Every edge is softly rounded, creating a graceful and timeless silhouette.
The mahogany tabletop initially reads as leather wrapped, an interesting detail since some of these rarely seen Pfister tables were in fact produced that way.
Inquire Below
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
The rich, intricate veining of burlwood never fails to draw the eye, and we make sure it’s always represented in our collection. This petite burlwood cabinet captivated us not only for its materiality but also for its rare, compact scale. Originally crafted to pair a luxurious burlwood veneer with a brilliantly polished brass plinth, it showcases a timeless interplay of texture and shine.
Our team has fully restored the piece to its original condition, including a complete refinishing of its sleek black interior. Its modest proportions allow it to fit effortlessly into a wide range of environments. Two generously sized cabinet doors discreetly conceal personal or work essentials, while its low profile keeps the piece understated and visually unobtrusive. Ideal as a pedestal for art or entertainment, it settles either ease into a living or work space with confident materials and an elegant silhouette.
Inquire
Period
Mid-Century Modern Style, c. 1990
Materials
Burlwood Veneer & Polished Brass
Dimensions
48"W x 20"D x 22.5"H
Condition
New restoration. Minor wear consistent with age and history may still exist.
Shipping
Domestic & International Delivery Available (request a quote)
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below.
Material synergy was an idea commonly experimented with in the Mid-Century and remains popular in contemporary design. The shown table is a newly fabricated custom piece, designed specifically to accommodate a Set of 4 Brno Flat-Bar Chairs in matching Ivory Leather which are separately available. This pedestal table showcases clean lines and sleek materials which very much lend itself to not only the Brno Chair design, but any minimalist environment.
The perimeter is crafted from maple veneer which features a rich burst-like grain around the edge. Inset into the table’s center is a gorgeous Italian leather in the color Ivory. The top is set upon a polished chromed steel drum base, reflecting the surrounding environment, and thus blending into the room with ease.
This tables remains in original condition with minor wear consistent with age and history. While originally it was the gathering point for the Set of 4 Brno Flat-Bar Chairs, it can be used as a meeting table, pedestal table in a foyer, or even a card table.
Tearsheet / Inquire
Period
American Contemporary Design, c. 2010
Materials
Italian Leather, Maple, & Polished Chrome
Dimensions
48”Diameter x 30”H
Condition
Very Good.Minor wear consistent with age and history
Shipping
Domestic & International Delivery Available (request a quote)
This piece has been sold. If you would like to be notified when we find another, or if you would like us to find one specifically for you, please fill out the form below. We also have 2 pre-restoration Time Life Chairs in-stock, which can be upholstered in a material of your choice.
The Eames Executive Chair, or the Time Life Chair as we much prefer to call it, has always been our favorite Eames design. Originally created for the Time & Life Building in 1960, the chair has developed an unmistakable aura over the decades. Widely recognized for its historical significance, executive presence, and ingenious design, to us it is simply a storied icon that we seek out whenever the opportunity arises.
While the Time Life Chair is most often encountered in black or brown leather, and occasionally green, it is always a special sight to find one upholstered in a less familiar specification. We were immediately taken with this beautifully preserved, butter-soft original leather in a rich Bordeaux hue. The color shifts subtly with the light, revealing deep wine tones that warm toward brown, while the polished aluminum frame provides a striking contrast. It is, in our opinion, one of the most handsome combinations we've had the pleasure of offering.
This example remains in exceptional original condition with only minimal signs of age and use. It retains its original Bordeaux leather upholstery, polished aluminum frame, adjustable tilt mechanism, and manual height adjustment with approximately 3 inches of travel.
Inquire Below