In-Depth
The great Harry Bertoia was first and foremost a sculptor, a fact well understood by Florence Knoll. When she approached him to create designs for the Knoll furniture line, she did not request specific products. Instead, the brief was simple: if Bertoia discovered an interesting motif in his sculptural work, he was to share it with Knoll.

Bertoia pursued a form that would conform to the body when sitting. His sculptor’s approach led him to experiment with bent metal rods, resulting in a support structure that appeared visually weightless. To Bertoia, the experience was akin to sitting on air.

One of his most progressive designs is the “Bird Chair”. Its organic presence echoes avian form, from the wing-like sweep of its arms to a headrest that recalls a poised tail. The seat connects to the base through four cylindrical rubber shocks, allowing for a gentle rocking motion when seated.

Our team selected a sleek coated finish in Gloss White to complement the newly crafted upholstered cover in a Raf Simons designed fabric for Kvadrat. The nubby wool bouclé provides an elegant contrast to Bertoia’s wire motif, offering comfort and, with its flecks of white dispersed throughout the blue, pairs perfectly with the white frame.

Creator
Harry Bertoia for Knoll, 1952

Materials
Gloss White Powder Coat & Kvadrat Raf Simons Fabric

Dimensions
38"W x 36"D x 37.5"H
14" Seat Height

Condition
Excellent. New restoration by Object Refinery.

Shipping
White Glove Insured Delivery (use the form to request a quote)

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